Although she emerged in the 1990s, Berlin-based English artist Tacita Dean has in her work a quiet depth not usually associated with the Pop and hype of the 'cool Britannia' scene. Her film installations explore how chance and coincidence influence daily life, constructing narratives that connect past and present, fact and fiction, private histories and larger events. In "Disappearance at Sea" (1996) a three-part installation and artist's book, Dean documents the tragic account of Donald Crowhurst and his attempt to fake a solo.
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